Viewers of the BRIT Awards were quick to notice a change when a braless Charli XCX went up to receive her second award of the night.
The ‘Brat’ singer had already bagged two awards, including Song of the Year for her Guess Remix with Billie Eilish. However, when she returned to the stage to collect the Best Dance Act award, fans noticed a significant shift in camera angles.
Observant viewers pointed out that the camera was positioned higher to avoid showing too much of Charli’s revealing see-through dress. One viewer commented: “Cameraman issued new instructions, keep the camera high #BRITs2025.”
Another viewer chimed in: “Why is the camera so zoomed into Charli #BRITs #thebrits #brits2025.”
A third added: “lol the camera is higher up on charlie now #BRITs2025,” while a fourth noted: ” ITV changing the camera angle for Charli XCX like we didn’t notice the first time #BRITs2025.”, reports the Mirror.
Another shared: “Camera staying high up this time #charlixcx.”
As she accepted her first award from US singer Lenny Kravitz, Charli XCX expressed her gratitude and humorously mentioned how a song about underwear now has a Brit award.
She also thanked Billie for collaborating, revealing she asked the US star to join her only three days before they recorded the song.
In other news from the show, Myles Smith used his Rising Star acceptance speech to urge the Government, venue owners, and music executives to support artists and help save grassroots venues.
During his stirring speech, he declared: “I was raised by a single mum on free school meals in a state school that only had instruments because of government-backed schemes. I grew up in a town that, according to loads of clickbait articles, is the worst town in Luton. But yet I’m somehow here, a four-time Brit nominee, a graduate from a Russell Group university…”
He continued, seizing the moment to challenge the powers that be: “But tonight, whilst I have the attention of the nation and this award, which gives me kind of like this really cool speaking power, I want to ask three questions. My first is to the Government: if British music is one of the most powerful cultural exports we have, why have you treated it like an afterthought for so many years?”
He went on to question: “How many more venues need to close? How many more music programmes need to be cut before we realise that we can’t just celebrate success, you have to protect the foundations that make it?”
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